
… and friends, Christmas, 1940s. Thanks to our friends at Mothic Flights and Flutterings for finding this one for us.
A Blog About Women Who Were Homefront Heroines: the WAVES of World War II

… and friends, Christmas, 1940s. Thanks to our friends at Mothic Flights and Flutterings for finding this one for us.

This next week we’re looking at how Hollywood celebrated Christmas during the war years. Here, a Christmas publicity shot of actress Rita Hayworth, circa 1940s. Thanks to Mothic Flights and Flutterings for finding this one for us.
The World War II-era pin-up art is quite amazing. It’s no surprise that scholars like Walt Reed have dubbed the era “the golden age” of the pin-up. Think about it: pin-ups were everywhere, from magazines like Esquire to the noses of planes to even personal snapshots (check out our friend Maria Elena Buzek’s fascinating book Pin-Up Grrls for a discussion of that phenomena). The director’s mother – the WAVE who inspired this project – had a collection of drawings she did during the war era of women in pin-up guise. They were everywhere.
This is a recruitment poster for the WAVES and SPARs done by pin-up artist George Petty. Petty was the “establishment” when it came to pin-ups – he pretty much created the famous Esquire pin-up centerfolds. But when he left the magazine in 1940, his role was taken over by an young upstart, Antonio Vargas. His pin-ups (dubbed “Varga Girls”) made the Petty pin-ups look tame by comparison: buxom, long legs, tiny waists – to contemporary eyes a combination of Barbie doll and Playboy centerfold.
This image came from a calendar Esquire ran during the war – which featured a WAVE-to-be. The poem alongside her reads:
I’m going to join the Navy WAVES and help the war to halt, and also show my Navy beau that I am worth my “Salt!”
Vargas also did the SPARs recruitment poster, below.